In 1988 Craddock moved to Vancouver Island where she resided with her family and worked at a post secondary photography school in Victoria. In 1997 she moved to one of the Gulf Islands and employed the location’s remoteness to reflect upon her art.[5] Craddock (then working under the name Linda Brock) found that the island's remoteness promoted contemplation of her prior life, living in the Prairies, enabling her to "go back to other times and places with ease and grace." Her exhibition Awaiting Memories (2003) was vastly inspired by these reflections on her personal life.[6] After six years of living on Pender Island, Craddock returned to Calgary, becoming involved with the Calgary Board of Education and teaching photography at the University of Calgary.[5]
In the series of paintings for the exhibition Hometown Dreams: Memory and Change, Craddock examined the elusiveness of experience, memory and time.[7] In Hometown Dreams she explored her relationship with the community of rural Alberta.[8] Craddock states, " None of us live [sic]exclusively in the present. What we understand as being 'now' is in fact an amalgamation of personal and collective experiences interactive with a current framework of existence. This defines who we are..."[7]
A source of inspiration for the exhibition Levitas, was Banff National Park, where Craddock created a series of paintings centered on the sensation of levitation that she describes as a experience that exists in our dream state, "A desire to be 'free' or to transcend the bounds of gravity also results in our spiritual aspirations and changes the shape of our memories."[2]
^Guerreno, Marcela; Barber, Rhonda; Larc, Thomas; Malec, Jacek; Rae, Michael; Triangle Gallery; Artists' Circle of Calgary (2008). Images and reflections: the Artist' Circle of Calgary. Triangle Gallery of Visual Arts. pp. 1–47. OCLC850285329.