Randa Abdel-Fattah | |
|---|---|
Abdel-Fattah in 2024 | |
| Born | (1979-06-06) 6 June 1979 Sydney, New South Wales, Australia |
| Occupation | Writer, lawyer, academic |
| Citizenship | Australia |
| Alma mater | Melbourne University (B.A.)Macquarie University (Ph.D) |
| Genre | Fiction, school story, sociology |
| Subject | Islamophobia, Islam, Muslims |
| Notable works | Does My Head Look Big in This? |
| Notable awards | Kathleen Mitchell Award |
| Children | 4 |
| Website | |
| randaabdelfattah | |
Randa Abdel-Fattah (Arabic: رندة عبد الفتاح; born 6 June 1979) is an Australian sociologist, lawyer and writer of fiction and non-fiction. She is an advocate for Palestinian people and human rights in general. Much of her work focuses on identity and what it means to be Muslim in Australia. Her debut novel, Does My Head Look Big in This?, was published in 2005, and Coming of Age in the War on Terror was published in 2021. Her 2025 novel, Discipline, came to public attention after Abdel-Fattah was disinvited from the 2026 Adelaide Writers' Week, leading to a boycott by most of the scheduled participants and the subsequent cancellation of the event.
Randa Abdel-Fattah was born on 6 June 1979[1] in Sydney, New South Wales,[2] to a Palestinian father and an Egyptian mother.[3][4] Although often referred to as "Palestinian Australian",[5][6] Abdel-Fattah has said "I don't think I ever identified as or even felt 'Palestinian in Australia' Sometimes I felt a hybrid of Australian and Palestinian. Sometimes I felt neither Australian nor Palestinian, tired of identity politics... As for my cultural consciousness, my mother is Egyptian and I grew up among her family in Australia and probably absorbed more Egyptian culture as a child".[7] In a essay on Mondoweiss in January 2026, she described herself as a Palestinian.[8]
She grew up in Melbourne, Victoria, and attended a Catholic primary school and then King Khalid Islamic College.[2] She wrote her first "novel", based on Roald Dahl's Matilda, when she was in sixth grade.[1] She started writing the first draft of a semi-autobiographical novel at age 15, which was completed and published ten years later as Does My Head Look Big in This?[4]
In 2002, Abdel-Fattah gained BA and LLB degrees from the University of Melbourne.[2][9] She was the media liaison at the Islamic Council of Victoria, writing about Muslims in Australia.[10]
In 2016, Abdel-Fattah obtained her PhD on Islamophobia from the Department of Sociology at Macquarie University.[9] Her thesis, "Islamophobia and Everyday Multiculturalism in Australia", was later published by Routledge in 2018.[11][12]
Abdel-Fattah worked as a solicitor for various firms, including Slater & Gordon (2001–2003), Lander and Rogers (2003–2006), Thompson Playford Lawyers (2006–2009) and Hicksons Lawyers (2009–2012).
As of September 2025 she is a lawyer of the NSW Supreme Court. She is patron of the Racial Justice Centre, the first Community Legal Service focused on racial justice in Australia.[13]
In 2018, Abdel-Fattah received two research fundings from the Australian Research Council in the form of their Discovery Early Career Research Award, for studying sociological condition of modern Muslim and non-Muslim youth. Her three-year project was based at Macquarie University with Amanda Wise as her collaborator.[14][15] Her findings were published by New South Publishing in 2021 as Coming of Age in the War on Terror, and as a paper in the Journal of Sociology in 2024.[16]
Abdel-Fattah has published research articles in the Journal of Sociology,[16] the Sociological Research Online and the Journal of Intercultural Studies.[17][18]
She has written books for children and young adults and also created a series aimed at early readers, called Our Stories, which are written and illustrated by diverse authors and illustrators. Her research inspired another project for young children, leading to Australia's first Black-Palestinian picture-story book collaboration, 11 Words For Love (2023).[13]
She has also published novels. Her latest novel, Discipline, was published in August 2025.[19] Set in Sydney during the Israel-Gaza War, its main characters are a young journalist of Palestinian descent and an academic of Egyptian Australian descent.[20][21]
She has written articles for The Sydney Morning Herald, The Age, The Guardian, Overland, Meanjin, Al Jazeera English online, Le Monde, New Matilda and The New Arab.[9][22]
As of September 2025 Abdel-Fattah is a future fellow in the Department of Sociology at Macquarie University. Her research areas cover Islamophobia, race, Palestine, the war on terror, youth identities and social movement activism.[13]
Abdel-Fattah describes herself as a feminist and has written critical pieces on the situation of women in Saudi Arabia. She states that women should retain the right to wear what they want.[23][24] She has stated that she no longer discusses the veil, on the basis that it constitutes flogging a dead horse and detracts from the discussion of other issues.[24]
On Australian television, she has appeared on: Insight (SBS), First Tuesday Book Club (ABC), Q & A (ABC TV),[10]Sunrise (Seven Network) and 9am (Network Ten).[25]
In 2022, the Australian Research Council (ARC) granted Abdel-Fattah their Future Fellowship[26] on a research project titled "Arab/Muslim Australian Social Movements since the 1970s: A hidden history". Abdel-Fattah is the Primary Chief Investigator and worked on the project from 2023 to 2027 with the total fund of $870,269.[27][28] During the Gaza War which started in 2023, she has been a vocal critic of the Israeli government,[29] accusing it of committing a "Palestinian holocaust" in Gaza.[30] At an academic symposium organised by the Queensland University of Technology's Carumba Institute, Abdel-Fattah spoke of how, instead of organising an academic conference as mandated by her ARC grants, she used the funds to run a workshop for women from multicultural backgrounds. She was reported as saying "I look to ways to bend the rules, and I subvert them."[31]
Because of the fund diversion remarks, the education minister, Jason Clare, wrote to the ARC board on 31 January 2025 asking it to investigate Abdel-Fattah. On 27 February, the ARC announced that the Abdel-Fattah's grant was suspended and that it was the responsibility of Macquarie University to resolve the issue[26][32] and, if the grant had been misused, to refund the entire amount.[33] After a 10-month investigation led by two independent internationally-respected academics, the university announced on 23 December 2025 that "Based on the rigorous process undertaken and the information considered in the assessment, the university has determined there is no basis for any further investigation of the concerns raised by the ARC. The assessment has been thorough, evidence-based, based on best practice and followed due process." ARC restored the funding.[34]
In August 2025, Abdel-Fattah cancelled her scheduled presentation at the Bendigo Writers Festival in response to a code of conduct imposed by the festival two days before the festival was due to begin. Many other scheduled presenters also boycotted the festival in support of Abdel-Fattah and in protest at the code of conduct.[35]
Her social media post from March 2024 which stated that Zionists "have no claim or right to cultural safety" was widely reported and used against her. In an essay on Mondoweiss in January 2026, Abdel-Fattah wrote of her "fight against Zionism" and restated that Zionists, as she understands the term, are not entitled to claim the right to a culturally safe space.[8] in the same essay she also defended her changing her Facebook cover to a picture of a paraglider in the colours of a Palestinian flag on 8 October 2023, one day after the October 7 attacks, describing the breaching of the Erez Crossing as "momentous" and as an "open prison breakout". While she was not aware of the Facebook change (she does not use it), she wrote in January 2026, "an image that represented a moment of freedom is not something I will apologise for."[8]
On 8 January 2026, the Adelaide Festival board announced that Abdel-Fattah's scheduled appearance at Adelaide Writers' Week in February to March 2026 had been cancelled due to concerns over "cultural sensitivity" following the 2025 Bondi Beach shooting.[36] There was a strong backlash from writers and the public to the decision, with most of the participants announcing a boycott of the event.[37][38][36] Abdel-Fattah decried the move as "censorship".[39] Due to the controversy over the disinvitation of Abdel-Fattah, Louise Adler, the directer of Adelaide Writer's Week who had scheduled her appearance and supported her, resigned from her position,[40][6] and Writers' Week was cancelled.[39] The board resigned and a new board was appointed which apologised to Abdel-Fattah.[41][42] The new board also invited her to the 2027 edition of the event.[43]
Abdel-Fattah is a human rights advocate and stood at the 1998 federal election as a member of the Unity Party (with the slogan "Say No to Pauline Hanson"). She has also been interested in interfaith dialogue and has been a member of various interfaith networks. She has volunteered time with human rights and migrant resource organisations, including the Australian Arabic council, the Victorian Migrant Resource Centre, the Islamic Women's Welfare Council, and the Asylum Seeker Resource Centre.[1][10] Abdel-Fattah has also been a member of the Palestinian Human Rights Committee and the New South Wales Young Lawyers for Human Rights Committee.[2]
As of 2022 Abdel-Fattah was living in Sydney with her husband and four children.[48]
She is an observant Muslim.[4]
Nathalie Handal spoke with Randa Abdel-Fattah at the Sharjah International Book Fair in November 2014; their conversation continued over email in the course of January through April 2015. This is an edited version of their talks. Randa Abdel-Fattah: I don't think I ever identified as or even felt "Palestinian in Australia". Sometimes I felt a hybrid of Australian and Palestinian. Sometimes I felt neither Australian nor Palestinian, tired of identity politics. What was always present, however, was a sense that I was connected – personally and through a strong sense of principles – to an ongoing injustice and that raising awareness about it in Australia was an uphill battle. That was my political consciousness. As for my cultural consciousness, my mother is Egyptian and I grew up among her family in Australia and probably absorbed more Egyptian culture as a child. The older I get, the more I realize how hybridized my cultural identity is.
This bibliography collates a sample of op-eds, commentary, radio and TV interviews, podcasts and spoken word performances created and authored by Australian Muslims on the subject of Islamophobia, race and 'the War on Terror' from the early 2000s to now.
Quotations related to Randa Abdel-Fattah at Wikiquote