Eric Tonks | |
|---|---|
| Born | (1914-07-17)17 July 1914 Birmingham, United Kingdom |
| Died | (1994-12-26)26 December 1994 Birmingham, United Kingdom |
| Occupation | Writer |
| Nationality | British |
| Period | 1943-1992 |
| Genre | Industrial history, Jazz |
| Subject | Railways, quarrying, industrial history, jazz |
| Notable works | The Ironstone Quarries of the Midlands |
| Notable awards | MSc, FRIC, Dip Maths |
| Children | 2 |
Eric Tonks (17 July 1914[1] – 26 December 1994[2]) was an English writer and historian of British industrial railways. He is regarded as one of the pioneers of the industrial archaeology of railways and quarrying.[2] He was also a noted Jazzdiscographer.
In 1949, Tonks was one of the founders of the Birmingham Locomotive Club and he was the club's president for 25 years.[2] He also set up the club's Industrial Locomotive Section, which later became the Industrial Railway Society.[3] He compiled a well-regarded study of the development of British preserved railways.[4]
Tonks was a prolific author on the related subjects of industrial history and industrial railways. He began his writing career with a book on the Edge Hill Light Railway, and he was an acknowledged expert in the history of that railway.[5]
He is particularly known for his "magnum opus"[2] 9-volume series of books on the ironstone industry of The Midlands, which is considered the standard work on the subject.[6][7] Tonks began work on this series with the publication of a single volume in 1959.[8] This was expanded into 9 volumes in the 1980s and 1990s. These books are acknowledged, as a "great work...on industrial infrastructure"[9] and the 1959 edition was one of the first books to integrate the study of industrial railway history with the wider historical and social aspects of the industries they served.[10]
Tonks was a founding member of the Motor Registration Circuit, a club based in the Midlands for car license plate spotting enthusiasts.[1] He was considered an expert in this field.[11] He was also a well-known Jazz aficionado,[12] who wrote a regular column for Discography magazine[13] and was considered an expert in the field of Jazz discographies.[14]
Originally published as:
Full series:
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