Günther Uecker (German pronunciation:[ˈɡʏntɐˈʔʏkɐ]; 13 March 1930 – 10 June 2025) was a German painter, sculptor, op artist and installation artist. He became known primarily for his nail reliefs. In 1961, Uecker joined the ZERO group.
Uecker was born on 13 March 1930 in Wendorf, Mecklenburg.[1] He grew up on a farm. At the end of World War II, he had to nail doors and windows to protect his mother and sister. Russian soldiers forced him, then age 15, to recover bodies that had been washed to the shore of the Baltic Sea.[2]
Uecker occupied himself with the medium of light, studied optical phenomena, series of structures, and the realms of oscillation that actively integrate the viewer and enable him to influence the visual process by kinetic or manual interference.[6]
Beginning in 1966, after the group ZERO dissolved its last joint exhibition,[9] Uecker increasingly began using nails as an artistic means of expression —- a material that, until today, stands in the centre of his oeuvre.[10] He began hammering nails into pieces of furniture, musical instruments as well as household objects, combining nails with the theme of light and creating his series of light nails and kinetic nails and other works. a-x Zero Garden (1966), in the collection of the Honolulu Museum of Art, demonstrates his use of nails to create the illusion of movement.[11]
Light and electricity continued to be main subjects and natural materials, such as sand and water, were included in his installations, resulting in an interaction of the different elements to create a sensation of light, space, movement, and time. Uecker's oeuvre included painting, object art, installations[12] as well as stage designs[13] and films.[14] His origins explained his interest in the eastern European avant-garde of the 1920s and 1930s, but he was likewise interested in Asian cultures and their ideas.[15]
With Otto Piene, Heinz Mack, and Mattijs Visser, he founded in 2008 the international ZERO foundation. The foundation has the complete ZERO archives from three Düsseldorfer artists as well as documents and photos from other related artists.[18]
Uecker was active through his last years; Glenn Adamson of Frieze reported that, even when Uecker was 90 years old, he was still working seven days a week, six hours a day, in the Düsseldorf studio he had held since 1987.[19] The blue stained glass windows in Schwerin Cathedral were among one of his last works.[20] In December 2024, the windows were inaugurated.[20]
In addition to numerous Gruppo Zero exhibitions, Uecker participated in many other exhibitions, including documenta 4 in Kassel, Germany (1968), the 35th Venice Biennale (1970), and numerous solo shows, including one at the Kunsthalle Düsseldorf (1983), a retrospective at the Kunsthalle der Hypo-Kulturstiftung, Munich (1990), and another solo show at the Ulmer Museum, Ulm, Germany (2010).[23] He had his first solo exhibition in the United States at the Howard Wise Gallery on West 57th Street, showing important work such as the kinetic New York Dancer I (1966).[24] He designed the scenery for Richard Wagner's Lohengrin at Bayreuth (1979–82).[13]
His first solo show since 1968 took place in early 2021 at the LévyGorvy gallery in Paris, called Lichtbogen, where he presented a new set of art inspired by a visit to an island in the Strait of Hormuz.[25]
At Art Basel in 2014, art dealer Dominique Lévy sold a Uecker's suite of eight white paintings for more than 5 million euros.[27] In a Christie's Post-War Auction, Uecker's Spirale 1/ Spirale 2, sold for an artist record of £2,629,000 ($3.2 million dollars), on 7 March 2017.[28]
^"Huldigung an Hafez". Günther Uecker – Huldigung an Hafez (in German). 13 December 2016. Retrieved 16 June 2025.
^Richter, Max; Henckel von Donnersmarck, Florian (2019), Never look away original motion soundtrack : a film by Florian Henckel Von Donnersmarck (in no linguistic content), [Europe], [France]: Universal music, [Universal music France], OCLC1182598486
Jocks, Heinz-Norbert: ZERO in Europa / Das erste gemeinsame Gespräch mit Piene, Mack und Uecker nach Ende von Zero, von , in: Lettre International, Berlin, Herbst 2011
Herzogenrath, Wulf and Koelen, Dorothea van der: Dokumente unserer Zeit XXXIII : Panta Rhei, Chorus – Verlag, Mainz 2005, ISBN978-3-926663-33-7
Jocks, Heinz-Norbert: Archäologie des Reisens, Ein anderer Blick auf Günther Uecker, DuMont, Cologne, 1997 ISBN978-3-7701-3943-9
Artempo, Where Time Becomes Art, exhibition catalog published by Musei Civici Veneziani, with essays by Jean-Hubert Martin, Heinz-Norbert Jocks, Massimo Cacciari, Giandomenico Romanelli and Mattijs Visser, MER Paper Kunsthalle Ghent 2007, ISBN978-90-76979-47-2
ZERO, Internationale Künstler Avantgarde, exhibition catalog published by Museum Kunst Palast and Cantz, with essays by Jean-Hubert Martin, Valerie Hilling, Heinz-Norbert Jocks Catherine Millet and Mattijs Visser, Düsseldorf/Ostfildern 2006, ISBN978-3-9809060-4-3
Reifenscheid, Beate and Koelen, Dorothea van der: Arte in Movimento – Kunst in Bewegung, Dokumente unserer Zeit XXXXIV, Chorus-Verlag, Mainz 2011 ISBN978-3-926663-44-3
Uecker, Günther, Knigge, Volkhard Knigge, and Pietsch, Jürgen M.: Ein Steinmal in Buchenwald, ed. by Politischer Club Colonia (PCC) and the memorial in Buchenwald, Edition Akanthus, Spröda 1999 ISBN978-3-00-006012-0
Visser, Mattijs (ed.). ZERO in NY, exhibition catalog, published by the ZERO foundation and Sperone Westwater, New York/Düsseldorf/Ghent 2008, ISBN978-90-76979-73-1
Günther Uecker. Zwanzig Kapitel, with contributions by Wulf Herzogenrath, Dieter Honisch, Britta Schmitz, Alexander Tolnay, Stephan von Wiese and Kazuhiro Yamamoto. Neuer Berliner Kunstverein / Hatje Cantz Verlag, Ostfildern-Ruit 2005 ISBN978-3-7757-1584-3
Gunther Uecker – Im Kreis Gehen Ouroboros, exhibition catalogue published by Har-El Printers & Publishers, Jaffa, 2018 ISBN978-965-7191-09-5
External links
"Huldigung an Hafez". Günther Uecker – Huldigung an Hafez. 26 April 2017. Retrieved 10 June 2025.