Alongside his work as a visual artist, he has served as a theater scenographer and received awards in this area.[11] Additionally, he was twice selected as an award-winning artist by the British Art Medal Society.[12][13]
He symbolically represents contemporary political issues in Iran—especially those he has personally witnessed and experienced—through his artworks.[2][14]
Curating & Writing
Samimi Mofakham started his curatorial career with Selfdom: A Personal Project in 2010 in Tehran. This show presented self portrait works by contemporary Iranian artists reflecting on their identity and place in modern Iran.[15]
In 2013, he co-curated the "Calling Project" with Iranian curator Tarlan Rafiee and British curator John Phillips.[16] Over 30 renowned Iranian and British artists were included, and the exhibition traveled between Tehran and London.[17]
He also co-curated the exhibition Karnameh; Visual Culture of Iranian Children at the Tehran Museum of Contemporary Art, which became one of the museum's largest and most attended shows.[18][19]
He has also served as the artistic advisor for two exhibitions at the Tehran Museum of Contemporary Art: the exhibition A Retrospective of Farideh Lashai, curated by Germano Celant,[20] and the exhibition Lions of Iran by Parviz Tanavoli.[21]
He explores the cultural-historical and political issues of Iran in his writings and curatorial projects by focusing on the early modernism in Iran (19th century–Qajar era) through to the late modernism (Pahlavi era). Historically, he traces the trajectory that today’s Iran has followed, examining it as a cultural and social process over the past century.[14]
Curated exhibitions
Selfdom / a personal project, 2011, with Tarlan Rafiee, Tehran, Iran
Tehran Calling: London, 2013, with Tarlan Rafiee, LPS, London, UK[17]
Parviz Tanavoli’s Exercise Writing: 50 years of Iranian Pop Art, 2016, with Tarlan Rafiee, Shahrivar Gallery, Tehran, Iran[28]
Parviz Tanavoli’s Universal Icons: 50 years of Iranian Pop Art, 2016, with Tarlan Rafiee, Shahrivar Gallery, Tehran, Iran[28]
RTL:LTR, an exchange exhibition between Iran and Austria (right to left, left to right), with Tarlan Rafiee, Peter Assmann, and CO:K; traveling exhibit to the Galerie Forum in Wels, Austria, 2016; the Artmark Galerie in Wien, Austria, 2016; the Lajevardi Foundation, in Tehran, Iran, 2016; and the Museum of Contemporary Art, Isfahan, in Iran, 2016–2017[29]
Plants: Recent works by Parvaneh Etemadi, 2017, with Tarlan Rafiee, Dastan Gallery, Dastan Oustside, Tehran, Iran.
The Multiplicity, Gallery Dastan, Tehran, 2017
Karnameh; Visual Culture of Iranian Children, Tehran Museum of Contemporary Art, 2016
Samimi Mofakham, Yashar (2016). Parviz Tanavoli's Universal Icons: 50 years of Iranian Pop Art (in Persian and English) (1st ed.). Tehran, Iran: Shahrivar Gallery.
Samimi Mofakham, Yashar; Poorhosein; Bakhtiyari (2016). Karnameh; Visual Culture of Iranian Children (in Persian and English) (1st ed.). Tehran, Iran: Tehran Museum of Contemporary Art.
Samimi Mofakham, Yashar; Rafiee, Tarlan; Traeger, Verena (2016). LTR:RTL - RTL:LTR (in Persian and English) (1st ed.). Tehran, Iran: Contemporary Art Publications.
About Samimi Mofakham
Golestaneh, Ali (2012). Tehran Art: A Popular Revolution. Contemporary Art Publications. ISBN9789948164746.
Noyce, Richard (2014). Printmaking Off the Beaten Track. Bloomsbury Visual Arts. ISBN978-1408156728.
Porter, Venetia (2016). Iranian Voices Catalogue. British Museum.
Fancy, M. (2016). "A celebration of 50 years of Pop art in Iran". Canvas Magazine. 4 (12). UAE: Canvas.
L'Occaso, Stefano (2022). Catalogo delle nuove acquisizioni 2012-2022 (in Italian) (1st ed.). Italy: Editoriale Sometti. ISBN978-88-7495-863-4.
Mousavi, F. (2024). "Archives as forms of resistance". Journal of Visual Art Practice. 23 (1). Taylor & Francis: 65–78. doi:10.1080/14702029.2024.2305526.